Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Samuel Lovett Waldo
Maria Clarissa Leavitt

ID: 73117

Samuel Lovett Waldo Maria Clarissa Leavitt
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Samuel Lovett Waldo Maria Clarissa Leavitt


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Samuel Lovett Waldo

American Painter, 1783-1861 American painter. After attending a country school and working on his father farm, he decided at the age of 16 to become an artist. He took lessons from Joseph Steward (1753-1822), a retired minister who operated a portrait studio in Hartford, CT. Waldo opened his own studio in Hartford in 1803, before moving on to paint portraits in Litchfield, CT, and Charleston, SC. In 1806, bearing letters of introduction to Benjamin West and John Singleton Copley, Waldo travelled to London, where he studied at the Royal Academy. His portrait of Mr M Dougle (untraced) was shown at the Royal Academy in 1808.  Related Paintings of Samuel Lovett Waldo :. | Maria Clarissa Leavitt | Mrs James K Bogert Jr | Maria Clarissa Leavitt | Old Pat | David Leavitt |
Related Artists:
St.Francis,
American Sculptor, 1878-1942
Emil Orlik
(July 21, 1870 - September 28, 1932) was born in Prague, which was at that time part of the Austro-Hungarian Empire, and lived and worked in Prague, Austria and Germany. He was a painter, an etcher and lithographer. In 1905 Emil Orlik moved to Berlin and took a post at the "School for Graphic and Book Art" of the Museum of Decorative Arts (Kunstgewerbemuseum), now part of the Berlin State Museums.
Manuel da Costa Ataide
(1762 to 1830), was a Brazilian painter, sculptor, gilder and teacher. He was an important artist of the baroque school in Minas Gerais and had a major influence on painting in the region, with many students and followers. His method of composition, particularly in perspective works on church ceilings, continued to be used until the middle of the nineteenth century. Contemporary documents often refer to him as a teacher of painting. In 1818 Ataede tried without success to obtain official permission to found an art school in Mariana, his home town. He owned technical manuals and theoretical tracts such as Andrea Pozzo's "Perspectivae Pictorum Architectorum" from which he must have studied technique. His art is characterised by the use of bright colours, especially blue. He was a contemporary and colleague of Antonio Francisco Lisboa (Aleijadinho). In the period 1781 to 1818 he completed and gilded Aleijadinhoes images for the Sanctuary of Bom Jesus de Matosinhos in Congonhas.






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